religion

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The first masterclass of the day was on interview technique. It was hosted by BBC’s Kate Adie with a panel including a police interrogator, a forensic investigator and a QC: the subject in discussion was how to get the ‘real truth’ out of someone, an invaluable technique for the would-be documentarian.

Rapport and mutuality are both very important. make it absolutely clear who you are and what you are doing because if there is any confusion, then you won’t be able to get open or honest answers from them.

It’s kind of an obvious one, but background research is also essential. That way if you do know they are lying then you can have something up the sleeve to get the truth out of them. If dealing with a hostile or defensive contributor, lack of research will often lead to them outsmarting you, after which you lose the upper hand.

A nifty trick from the QC: when approaching the killer question with a defensive individual: rock out the negative to catch them out, i.e. instead of asking, ‘did you push her off the balcony?’ ask, ‘are you saying you didn’t push her off the balcony?’ Sneaky stuff.

After that I attended the screening of Heavy Load, a film about a punk band of the same name, made up of people with learning difficulties and their support workers. Director Jerry Rothwell followed them for two years, and the film depicts a portrait of their double lives: rehearsals, gigs and local fame on one side; group cooking, day-centres and lack of freedom on the other. I strongly urge you to see it when it’s released in October. It was a real Horlicks-for-the-soul experience, which had the audience screaming and laughing all the way through.

Following in the comedy vein was the final session of the festival, ‘Larry Charles in Conversation’. Larry has in the past produced and directed films and series including Seinfeld, Curb Your Enthusiasm, and Borat. He certainly knows how to bring the funny. A packed house was treated to clips from his new documentary Religulous, starring Bill Maher, due for release this autumn. It’s incredible that people can now dismiss all religion as a silly, groundless pursuit and do it so succinctly, logically and thoroughly. You want controversial? Go and see this film.

“We are the last gasp of monotheism”, says Charles. This coming from a man who at one point wanted to be a Rabbi, so he’s obviously given it a lot of thought.

At the awards ceremony later, Heavy Load wins the Audience Prize, and to round the whole thing off the band play to a packed Keble College bar. Their rendition of I See You Baby, Shaking that Arsehole was simply top notch. I’ve learned a veritable shedload at this, my first Britdoc. I have a lot to be getting busy with, and fully intend to return next year, hopefully several completed films better off.

Fellow documentary-maker? Commissioner? Write to Chris at: chrisgbates@gmail.com

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“We’ve produced a week of programmes on Islam, including a two-hour documentary exploring the Quran and its impact on the world, and a lavish series called The Seven Wonders of the Muslim World – which takes in incredible places such as Jerusalem, Mali, Istanbul and Mecca and explores the basic beliefs of a faith we know so little about.

Our latest challenge is to get multicultural commissions that are not religious, and that can work at 9 and 10pm. The bar will be high, and the projects will have to compete with what’s already in the schedule. Look at the schedule, think about how you can compete story-wise and casting-wise and we can talk.

Channel 4 Religion is more inquisitive, more diverse, and we keep religion at the core of our output rather than try to hide it. We don’t wallow in historical nostalgia nor do we shy away from tough areas. Priest Idol, Cult of the Suicide Bomber and Make Me a Muslim sound obvious commissions when they’re a success, but were all major risks. The output has to stay in primetime or it will die in the long run: we have to market it and make it accessible. This is real risk: it’s not just the subject matter; it’s also about sending out the signal that we care enough to get behind the output.

Being in primetime makes working with new talent more difficult, but it doesn’t stop me trying. We have to be prepared to fail. We’ve given young directors a break, and Robert Beckford and Tazeen Ahmed are two on-screen successes I’ve broken on the channel – but they had to be given a chance to flourish. To anyone who thinks they’re the next talent, on or off-screen, get in touch: my door is open to any suggestions.”

Aaquil Ahmed: Commissioning Editor, Religion, Channel 4

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Next on 4 is Channel 4’s vision for the future. Fresh talent, fresh perspectives, youth, diversity and innovation in all its forms will lead and shape the channel’s content in the years to come. So with our readers in mind, we asked those at the commissioning coalface what’s pushing their buttons in 2008.

 

Who we spoke to:

Liam Humphreys, Commissioning Editor, Features | Walter Iuzzolino, Deputy Head, Features | Dominique Walker, Commissioning Editor, Factual Entertainment | Alistair Pegg, Editor, Factual Entertainment | Ruby Kuraishe, Editor, Factual Entertainment, E4 | Simon Dickson, Deputy Head, Documentaries | Meredith Chambers, Commissioning Editor, Documentaries | Kate Vogel, Editor, 3 Minute Wonder | Jan Younghusband, Commissioning Editor, Arts & Performance | Shane Allen, Commissioning Editor, Comedy | Andy Auerbach, Commissioning Editor, Entertainment | Matt Locke, Commissioning Editor, Education | Jo Roach, Commissioning Editor, Education | Kevin Sutcliffe, Deputy Head, News & Current Affairs | Camilla Campbell, Commissioning Editor, Drama | Adam Gee, Commissioning Editor, New Media Factual | Aaquil Ahmed, Commissioning Editor, Religion | David Glover, Commissioning Editor, Science | Katherine Butler, Head of Development, Film4 | Ade Rawcliffe, Diversity & Talent Manager | Alison Walsh, Editorial Manager, Disability.

 

Browse all the responses >

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Image by Tom Gaul

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