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	<title>4Talent magazine &#187; documentary</title>
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	<link>http://www.4talentmagazine.com</link>
	<description>Creativity Uncovered</description>
	<pubDate>Sun, 11 Jan 2009 12:54:03 +0000</pubDate>
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	<language>en</language>
			<item>
		<title>Long Documentary: Lorne Kramer</title>
		<link>http://www.4talentmagazine.com/2008/12/08/long-documentary-lorne-kramer</link>
		<comments>http://www.4talentmagazine.com/2008/12/08/long-documentary-lorne-kramer#comments</comments>
		<pubDate>Mon, 08 Dec 2008 10:36:43 +0000</pubDate>
		<dc:creator>Helen Byrne</dc:creator>
		
		<category><![CDATA[Features]]></category>

		<category><![CDATA[Film &amp; TV]]></category>

		<category><![CDATA[Issue 10]]></category>

		<category><![CDATA[Issues]]></category>

		<category><![CDATA[Subjects]]></category>

		<category><![CDATA[4talent]]></category>

		<category><![CDATA[4talent awards]]></category>

		<category><![CDATA[documentary]]></category>

		<category><![CDATA[Lorne Kramer]]></category>

		<category><![CDATA[Sheffield doc fest]]></category>

		<category><![CDATA[thai bride]]></category>

		<guid isPermaLink="false">http://www.4talentmagazine.com/?p=546</guid>
		<description><![CDATA[Words: Catherine Bray 
Photography: Neil Parker

‘Thai brides’ are a sensitive issue: even more so when your father’s marrying a Thai woman 33 years his junior. Lorne Kramer, himself 25 decided to document this surprise partnership with touching results.
Mee And My Dad, the film that secured Lorne his 4Talent Award, is about as personal as it [...]]]></description>
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		</item>
		<item>
		<title>Anatomy of an Edit</title>
		<link>http://www.4talentmagazine.com/2008/11/21/anatomy-of-an-edit</link>
		<comments>http://www.4talentmagazine.com/2008/11/21/anatomy-of-an-edit#comments</comments>
		<pubDate>Fri, 21 Nov 2008 17:02:52 +0000</pubDate>
		<dc:creator>Helen Byrne</dc:creator>
		
		<category><![CDATA[Art &amp; Design]]></category>

		<category><![CDATA[Features]]></category>

		<category><![CDATA[Film &amp; TV]]></category>

		<category><![CDATA[Issue 10]]></category>

		<category><![CDATA[Issues]]></category>

		<category><![CDATA[Subjects]]></category>

		<category><![CDATA[advertising]]></category>

		<category><![CDATA[adverts]]></category>

		<category><![CDATA[chris dickason]]></category>

		<category><![CDATA[documentary]]></category>

		<category><![CDATA[edit]]></category>

		<category><![CDATA[editing]]></category>

		<category><![CDATA[editor]]></category>

		<category><![CDATA[Ije Ndukwe]]></category>

		<category><![CDATA[Jason Manford]]></category>

		<category><![CDATA[Jonathan Pearson]]></category>

		<category><![CDATA[Louis Theroux]]></category>

		<category><![CDATA[pantene]]></category>

		<category><![CDATA[Spencer Doane]]></category>

		<category><![CDATA[Stuart Cabb]]></category>

		<category><![CDATA[The Sunday Night Project]]></category>

		<category><![CDATA[Tonightly]]></category>

		<category><![CDATA[vodafone]]></category>

		<guid isPermaLink="false">http://www.4talentmagazine.com/?p=704</guid>
		<description><![CDATA[Words: Ije Ndukwe
Illustration: Chris Dickason
Buy Issue 10 here
It’s the spectre that hangs over programme-making; the veiled process that turns endless footage into coherent narrative. But how authoritative is the edit suite? Meet three editors who between them have cut some of the industry&#8217;s most challenging genres.


&#160;
Documentary Case Study: Louis Theroux
Stuart Cabb has directed and produced [...]]]></description>
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		</item>
		<item>
		<title>4Talent Awards shortlist</title>
		<link>http://www.4talentmagazine.com/2008/09/17/4talent-awards-shortlist</link>
		<comments>http://www.4talentmagazine.com/2008/09/17/4talent-awards-shortlist#comments</comments>
		<pubDate>Wed, 17 Sep 2008 12:02:42 +0000</pubDate>
		<dc:creator>Nick Carson</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<category><![CDATA[Opportunities]]></category>

		<category><![CDATA[4talent awards]]></category>

		<category><![CDATA[animation]]></category>

		<category><![CDATA[channel 4]]></category>

		<category><![CDATA[comedy]]></category>

		<category><![CDATA[Competition]]></category>

		<category><![CDATA[directing]]></category>

		<category><![CDATA[documentary]]></category>

		<category><![CDATA[film]]></category>

		<category><![CDATA[innovation]]></category>

		<category><![CDATA[journalism]]></category>

		<category><![CDATA[judging]]></category>

		<category><![CDATA[New Media]]></category>

		<category><![CDATA[performance]]></category>

		<category><![CDATA[photography]]></category>

		<category><![CDATA[shortlist]]></category>

		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://www.4talentmagazine.com/?p=383</guid>
		<description><![CDATA[It&#8217;s taken us 2 solid weeks, but we can now proudly announce the shortlists for the 4Talent Awards 2008 - 5 in each of the 20 categories.
We&#8217;ve quite simply been blown away by the quality across the board, and it&#8217;s been a real struggle getting down to that fortunate 100, who will be sent off [...]]]></description>
		<wfw:commentRss>http://www.4talentmagazine.com/2008/09/17/4talent-awards-shortlist/feed</wfw:commentRss>
		</item>
		<item>
		<title>Sarajevo Film Festival: part one</title>
		<link>http://www.4talentmagazine.com/2008/09/02/sarajevo-film-festival-part-one</link>
		<comments>http://www.4talentmagazine.com/2008/09/02/sarajevo-film-festival-part-one#comments</comments>
		<pubDate>Tue, 02 Sep 2008 08:54:57 +0000</pubDate>
		<dc:creator>James Lees</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<category><![CDATA[Film &amp; TV]]></category>

		<category><![CDATA[bosnia]]></category>

		<category><![CDATA[documentary]]></category>

		<category><![CDATA[festival]]></category>

		<category><![CDATA[film]]></category>

		<category><![CDATA[funding]]></category>

		<category><![CDATA[sarajevo]]></category>

		<guid isPermaLink="false">http://www.4talentmagazine.com/?p=367</guid>
		<description><![CDATA[Award-winning filmmaker James Lees guest-blogs from the Sarajevo Film Festival.
Attending Sarajevo Film Festival was a bit of a last minute decision for me. I have always thought it would be a great festival to check out but there are so many out there. As it was, a filmmaker I know, Chris Bates was already over [...]]]></description>
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		</item>
		<item>
		<title>Britdoc, last day: Masterclass</title>
		<link>http://www.4talentmagazine.com/2008/08/04/britdocs-last-day-masterclass</link>
		<comments>http://www.4talentmagazine.com/2008/08/04/britdocs-last-day-masterclass#comments</comments>
		<pubDate>Mon, 04 Aug 2008 07:22:00 +0000</pubDate>
		<dc:creator>Chris Bates</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<category><![CDATA[Film &amp; TV]]></category>

		<category><![CDATA[New Media]]></category>

		<category><![CDATA[bill mahler]]></category>

		<category><![CDATA[britdoc]]></category>

		<category><![CDATA[documentary]]></category>

		<category><![CDATA[heavy load]]></category>

		<category><![CDATA[kate adie]]></category>

		<category><![CDATA[keble]]></category>

		<category><![CDATA[larry charles]]></category>

		<category><![CDATA[religion]]></category>

		<category><![CDATA[religulous]]></category>

		<category><![CDATA[seinfeld]]></category>

		<guid isPermaLink="false">http://www.4talentmagazine.com/?p=289</guid>
		<description><![CDATA[The first masterclass of the day was on interview technique. It was hosted by BBC’s Kate Adie with a panel including a police interrogator, a forensic investigator and a QC: the subject in discussion was how to get the ‘real truth’ out of someone, an invaluable technique for the would-be documentarian.

Rapport and mutuality are both [...]]]></description>
		<wfw:commentRss>http://www.4talentmagazine.com/2008/08/04/britdocs-last-day-masterclass/feed</wfw:commentRss>
		</item>
		<item>
		<title>Britdoc, day two: The Pitch</title>
		<link>http://www.4talentmagazine.com/2008/08/01/britdoc-day-two-the-pitch</link>
		<comments>http://www.4talentmagazine.com/2008/08/01/britdoc-day-two-the-pitch#comments</comments>
		<pubDate>Fri, 01 Aug 2008 08:58:54 +0000</pubDate>
		<dc:creator>Chris Bates</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<category><![CDATA[Film &amp; TV]]></category>

		<category><![CDATA[bosnia]]></category>

		<category><![CDATA[britdoc]]></category>

		<category><![CDATA[currenttv]]></category>

		<category><![CDATA[docs]]></category>

		<category><![CDATA[documentary]]></category>

		<category><![CDATA[pitch]]></category>

		<category><![CDATA[pitching]]></category>

		<guid isPermaLink="false">http://www.4talentmagazine.com/?p=276</guid>
		<description><![CDATA[Film-maker Chris Bates blogs about his second day at Britdoc festival, pitching his film to commissioners.
A big day today. My first time pitching face-to-face to an actual commissioner.
Current TV is a great platform for first time filmmakers, and if I can get a few pieces on their channel, then that could provide some serious opportunities [...]]]></description>
		<wfw:commentRss>http://www.4talentmagazine.com/2008/08/01/britdoc-day-two-the-pitch/feed</wfw:commentRss>
		</item>
		<item>
		<title>Britdoc, day one: Trailer Trash</title>
		<link>http://www.4talentmagazine.com/2008/07/31/britdocs-day-one-trailer-trash</link>
		<comments>http://www.4talentmagazine.com/2008/07/31/britdocs-day-one-trailer-trash#comments</comments>
		<pubDate>Thu, 31 Jul 2008 12:02:17 +0000</pubDate>
		<dc:creator>Chris Bates</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<category><![CDATA[Film &amp; TV]]></category>

		<category><![CDATA[britdoc]]></category>

		<category><![CDATA[britdocs]]></category>

		<category><![CDATA[doco]]></category>

		<category><![CDATA[documentary]]></category>

		<category><![CDATA[film-making]]></category>

		<guid isPermaLink="false">http://www.4talentmagazine.com/?p=268</guid>
		<description><![CDATA[Film-maker Chris Bates writes a blog from Britdoc documentary film festival.

Billed as ‘the most productive 3 days of the year’ for UK documentary, Britdoc festival in Oxford was an event that as a freelance film-maker I just had to visit.
I have several doco projects of my own that I am trying to take to the [...]]]></description>
		<wfw:commentRss>http://www.4talentmagazine.com/2008/07/31/britdocs-day-one-trailer-trash/feed</wfw:commentRss>
		</item>
		<item>
		<title>Kevin Sutcliffe: Current Affairs</title>
		<link>http://www.4talentmagazine.com/2008/05/29/kevin-sutcliffe-current-affairs</link>
		<comments>http://www.4talentmagazine.com/2008/05/29/kevin-sutcliffe-current-affairs#comments</comments>
		<pubDate>Thu, 29 May 2008 12:03:20 +0000</pubDate>
		<dc:creator>Nick Carson</dc:creator>
		
		<category><![CDATA[Commissioning]]></category>

		<category><![CDATA[channel 4]]></category>

		<category><![CDATA[china's stolen children]]></category>

		<category><![CDATA[current affairs]]></category>

		<category><![CDATA[documentary]]></category>

		<category><![CDATA[investigative journalism]]></category>

		<category><![CDATA[Iraq]]></category>

		<category><![CDATA[kevin sutcliffe]]></category>

		<category><![CDATA[news]]></category>

		<category><![CDATA[undercover mosque]]></category>

		<guid isPermaLink="false">http://www.4talentmagazine.com/2008/05/29/kevin-sutcliffe-current-affairs/</guid>
		<description><![CDATA[“China’s Stolen Children just won a Bafta, but Undercover Mosque runs it close because of the way it fended off so many attacks on its journalism to come through as the stand-out investigation of last year.
We dare to say difficult and sometimes unfashionable things. Channel 4 is fearless in its support of investigative journalism: we’ve [...]]]></description>
		<wfw:commentRss>http://www.4talentmagazine.com/2008/05/29/kevin-sutcliffe-current-affairs/feed</wfw:commentRss>
		</item>
		<item>
		<title>Jan Younghusband: Arts</title>
		<link>http://www.4talentmagazine.com/2008/05/29/jan-younghusband-arts</link>
		<comments>http://www.4talentmagazine.com/2008/05/29/jan-younghusband-arts#comments</comments>
		<pubDate>Thu, 29 May 2008 11:44:10 +0000</pubDate>
		<dc:creator>Nick Carson</dc:creator>
		
		<category><![CDATA[Commissioning]]></category>

		<category><![CDATA[arts]]></category>

		<category><![CDATA[big art mob]]></category>

		<category><![CDATA[channel 4]]></category>

		<category><![CDATA[development]]></category>

		<category><![CDATA[documentary]]></category>

		<category><![CDATA[jan younghusband]]></category>

		<category><![CDATA[new talent]]></category>

		<category><![CDATA[performance]]></category>

		<guid isPermaLink="false">http://www.4talentmagazine.com/2008/05/29/jan-younghusband-arts/</guid>
		<description><![CDATA[“We’ve always taken huge risks in arts, and will continue to do so with series and one-offs, commissioning new work that will last beyond the screen. I’m most excited about The Big Art Project. It&#8217;s the craziest and most ambitious project we’ve ever done, and has with it an amazing website – Big Art Mob [...]]]></description>
		<wfw:commentRss>http://www.4talentmagazine.com/2008/05/29/jan-younghusband-arts/feed</wfw:commentRss>
		</item>
		<item>
		<title>Kate Vogel: 3 Minute Wonder</title>
		<link>http://www.4talentmagazine.com/2008/05/29/kate-vogel-3-minute-wonder</link>
		<comments>http://www.4talentmagazine.com/2008/05/29/kate-vogel-3-minute-wonder#comments</comments>
		<pubDate>Thu, 29 May 2008 11:42:36 +0000</pubDate>
		<dc:creator>Nick Carson</dc:creator>
		
		<category><![CDATA[Commissioning]]></category>

		<category><![CDATA[3 minute wonder]]></category>

		<category><![CDATA[3mw]]></category>

		<category><![CDATA[channel 4]]></category>

		<category><![CDATA[development]]></category>

		<category><![CDATA[documentary]]></category>

		<category><![CDATA[fourdocs]]></category>

		<category><![CDATA[kate vogel]]></category>

		<category><![CDATA[new sensations]]></category>

		<category><![CDATA[new talent]]></category>

		<category><![CDATA[ruth carslaw]]></category>

		<category><![CDATA[short film]]></category>

		<category><![CDATA[somethin' else]]></category>

		<guid isPermaLink="false">http://www.4talentmagazine.com/2008/05/29/kate-vogel-3-minute-wonder/</guid>
		<description><![CDATA[“I&#8217;m very excited about ideas that exploit both broadcast and online opportunities. I&#8217;m working with multiplatform company Somethin&#8217; Else to create a really new and exciting raft of programmes for August in 3MW – a bit too secret to talk about yet. There’s also a week of films around Domestic Violence from the very talented [...]]]></description>
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